Asli Serbest and Mona Mahall work in collaborations across spatial, image, sound, and text practices. They often begin their projects with investigating minor finds, fragments, figures, sites, and rites that exhibit discrepancies, but imply spatio-political agility and generosity: A 60s ship used for techno parties, a tiny façade reconstruction by Palladio, or an echoing animal voice. To (re-)activate the poetical and political possibilities of these finds they translate them into exhibition, installation, model, archival, scenography, or publication projects. Following their feminist constitution these projects propose themselves less as fixed spaces and objects than as non-linear versions. They aim at gatherings to collectively (re-)consider rejected knowledge and to find alternative modes of organising our lives, schools, online and offline movements. They exhibit and publish internationally, among others at Biennale di Venezia; Württembergische Kunstverein Stuttgart; Riverrun Istanbul; Pinakothek der Moderne, Munich; Storefront for Art and Architecture, New York; HKW, Berlin; Vancouver Art Gallery; Künstlerhaus Stuttgart; New Museum, New York; in e-flux journal, Volume Magazine, Perspecta, Istanbul Art News, etc. They are the editors of the independent magazine Junk Jet. In 2019, they curated the 7th International Sinop Biennial 2019 under the title of 'A Politics of Location.' They live and work in Berlin.