Lockdown

In June 2020 Urban Subjects[1] were invited to design a post-card for the project KLEINE POST initiated by Public Art Lower Austria[2].

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Our bedroom or apartment has become the stage to dance, move, and work with the body. It can be shared with other virtual mates and expanded, or just experienced in its intimacy. I asked Anouk Froidevaux, a gorgeous contemporary dancer, choreographer and Gyrokinesis therapist, to tell me about her experience in readjusting her work with the body and her Gyrotonic and healing treatments to the current situation, which implies the use of online platforms. Dancing the Moment, for example, is a workshop in which she guides a community of dancers and non-dancers to improvise movements in a real or virtual space, in order to reconnect with themselves and to nurture an environment of trust.

Even if virtual reality is responding surprisingly fast to some of our needs of gathering, for her, there remains an open question: how can technology assist us in recreating the feeling of being present with one another and of connecting to others through the physical touch which is so important for our wellbeing and personal development?

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My perspective on the urban and its development comes from my experience as an art activist, community facilitator, and resident of various cities.

In the last 10 years my main focus has been the disparities and injustices which constrain our daily lives in areas such as housing, co-housing, and public and shared space. Recently my attention has shifted toward the intimate: the effects of capitalism on our bodies, minds and spirits.

In recent times, big corporations, online platforms, virtual events and phenomena have expanded their domain of influence not only on our spaces and the way we live, but also on our intimate sphere(s). This development has been reinforced by major events such as the pandemic we are currently experiencing.

It is alas obvious that we are regimented from morning to night. On top of our normal respect for laws and civic rules, we have to fill in paper and online forms, to log in, to download applications. The current crisis has piled on an extra load of restrictive duties, which impacts many aspects of our personal and intimate lives, such as the way we gather and socialise with friends and family, share knowledge, care for our bodies, breathe, make physical contact, experience pleasure, affection, sacred moments, etc.

We are all moving toward a change of epic proportions without knowing what the end result will be. There is not just one enemy to combat, not just one right to fight for. We are all affected on an intimate level, we constantly live in state of emergency, we are unable to plan, we fear the worst coming around any corner.

I regard this special time as rich in its capacity to teach us. It is crucial to look at how the human species reacts to the new planetary configuration made of the very schematic structures and predefined patterns which concern the living. It is also of vital importance to discern the emergence of reformulated safe spaces in which there is the possibility of re-appropriating the intimate, which in my view is a fundamental step toward the reconstruction of a possible future.

I would therefore like to publish seven statements in the form of audio contributions about how the persistence of different practices concerning our more intimate life and bodies is manifested.

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Last year Seth Eisen, an artist, performer and researcher, organised a series of walking tours (Out of Site: SOMA) bringing up the mostly unknown queer history of the last 200 years in San Francisco. The walking tours brought up stories about the ways in which built and social environment(s) have been experienced by queer people; the way these environments existed as spaces to hide from , or spaces of resistance, before the gay liberation.

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